31 December 2009

Bhutanese Buildings







I look at architecture with an untrained eye as to how buildings are put together or what is 'right' as far as design. What determines my pleasure in a building is based on beauty and functionality and I like to think these two should go hand in hand. Traditional Bhutanese architecture of white-washed stone or pounded mud with wood framed windows and doors rates high on both the beauty and function scales.

Traditional buildings

The traditional rural houses I've seen around Thimphu, Paro and on our trip east to Bumthang are usually 2, 3, or 4 stories high and rather large to accommodate an extended family and lot of "in house" functions that are necessary in rural life. There is an open loft under the roof for drying food and for storing fodder and wood. The wooden beams supporting the upper floors, door and window lintels are painted in traditional colors and patterns, contrasting with the stark white of the high.

The decorative paintings of swastika, cloud, conch shell, lotus, wheel, and animals, such as deer, tigers and mythical Garudas eating snakes give a whimsical quality to the buildings. Phalluses are commonly painted on the white walls of rural houses. These are said to ward off evil, spouting a spiral of semen. I can't imagine what my neighbors would say if I painted a handsome penis prominently on the wall of my house. Stone and wood phalluses emerge from walls, are the conduits for water fountains, or hang in flying form from the corners of roofs. (See picture of painting a house).

Buildings are traditionally made using no nails. Wood beams and posts are precisely cut to fit and ceilings are secured to cross pieces with bamboo strips. Roofs are flat stones in the form of rectangular or square tiles, wood shingles, or iron sheeting. Clay is sometimes used to hold down the stone tiles, but large rocks--often round, white, river rocks laid directly on the shingles, or laid on a plank of wood that holds down a row of shingles or pieces of metal--are the normal means to keep the roofs intact.

Public buildings, such as the covered, cantilevered foot bridges, temples, and huge dzongs (the large, fortress-like combined administrative and monastic complexes that are the center of provincial government) are built in the same style of whitewashed stone or tamped dirt with the same sort of beamed construction and no nails.

Besides building without nails, traditionally buildings are built without plans. This fact is stated by guides and repeated in books with pride. It seems that much else in the country is done without plans.

Modern buildings

Modern buildings in Thimphu are made in a traditional style, but of concrete (like "adobe" construction in Santa Fe). The square concrete "beams" function only as decorations. The shoddy modern workmanship does not shine like that of the glorious and loved buildings that most Bhutanese outside the towns live in.

27 December 2009

BUYING KIRAS



Bhutanese Dress

Already having a closet full of ethnic attire, I resisted the temptation to add a Bhutanese ensemble to a growing collection of beautiful but unwearable clothes. It is not just the grace of the floor length kira skirt with its perfect side pleat or the shiny material of the boxy jacket, the taego that convinces a western woman that this might just be the ethnic statement she was born to make. It's the combinations of colors and patterns meant to complement, not match, that lets one think of clothes in a completely new frame. Basic black is not a Bhutanese concept.

Buying my Kira

The first jacket I picked up at the wholesaler was shiny purple brocade with a pattern of gold, orange and turquoise flowers. Busy and gaudy, it was exactly what I wanted. The shop women laid a thin silky turquoise wonju, under blouse, over the taego, that perfectly picked up the turquoise in the flowers. The wonju's fabric is self-patterned with sprawling dragons. The half kira I chose is horizontally striped in blue, purple, black, orange, gray, and maroon with embroidered yellow-gold highlights. All these colors allow a kira to be matched with an assortment of jackets and blouses in combinations that go beyond anything I had been taught was acceptable.
Trying the clothes on in the middle of the store over my staid black, I felt daring--breaking every rule of the "clothes police". Who would have thought of such wild combinations? And there were so many more I could have taken.

Learning to wear the clothes

When I brought the package back to the apartment to show Judy, I couldn't remember how to tie the kira. It all has to be done in a special way, with the pleat on the right. Half dressed I asked the woman across the hall to show me. It is still a chore and when I wore it to the hospital the female orthopaedic techs shook their heads and re-did it.

Judy's Kira

Our friend, Nicola, helped Judy find her kira at a different wholesaler, a huge store with a choice that went on and on. After Judy's first purchase, she bought taegos for her sisters, another 2 for herself and has ended with a stunning collection of brocaded jackets that will make her the bell of any ball.

Last Sunday we returned to the fabric wholesaler, what we now call the kira shop. After four or five visits, we have become well known to the proprietor and so familiar with the merchandise, that we simply walk behind the counter, pullout the taegos, line them up on the counter and start matching them with silky wonjus and the bolts of kira fabric. We like to think we've developed the eye, the "Bhutanese eye" that looks at the color and pattern combinations and finds symmetry in amazing combinations.

The French Connection

A woman and two men chilups, French chilups, came into the store with a guide who was assisting them in clothes buying. The store's proprietor helped the men buy ghos, the men's belted national dress. Judy and I had the pleasure of showing the woman how to tie and pleat a half kira. We directed her in choosing a "Bhutanese color combination" that made her all black coat, pants, sweater and boots stand-up and cheer. After choosing their ghos, the men took interest in buying ensembles for their wives. Everyone left the "Kira Shop" with something. For Judy and me, we had the fun of mixing and matching, putting colors and patterns together, without paying.

19 December 2009

BHUTAN'S NATIONAL DAY CELEBRATION 17 December





Special invitations
Invitations for the National Day celebrations were suppose to have been received before 09:30, 16 December. By the time we left the hospital at 15:00, no invitations had arrived. Dressed early in our bright, silky Bhutanese national dresses, Judy and I were sure are native beauty and gallant efforts to look the part could not help but secure reserved seats. As we walked through the painted entrance on the far side of the stadium, a man rushed up to us explaining that this was a national holiday, the 102nd anniversary of the first king's assumption of the throne. I was sure he was going to tell us to go in the plebian entrance. Our identification as volunteers at the hospital and taking a photo of him beside the effigy of the first king with a promise to send him a copy brought out his card--Senior District Cultural Officer of Thimphu. Our invitation!

With innocent ignorance I flashed the Senior District Cultural Officer's card at the first entrance where it was given a skeptical look and a nod to go to the next entrance. The card was still viewed with an irregular gaze, but no one wanted to be a spoil sport, or get in trouble by showing that they didn't recognize a special invitation when duly presented and we were welcomed inside. Our seats on the north end of the stadium were in full, glorious sun.

Beautiful Ghos and Kiras
All the spectators were dressed beautifully. The men wore colorful striped and plaid ghos with their white sashes, topped (or bottomed) by embroidered and appliquéd cloth boots. They sat under the awning and in the VIP stands in rows like church deacons in belted and sashed vestments as portrayed in 5th century mosaics. The women were dressed in gloriously patterned kiras and taegas, (long sarong skirts or dresses and boxy cuffed and collared jackets) the latter often shot through with shiny metallic threads. Everyone was scrubbed and bright in strikingly attractive color juxtapositions. Who would have ever thought peach and sage green were meant for each other? From a distance, anyone can distinguish the chilip (westerner) females in Bhutanese clothes from the Bhutanese women. Few chilips have the imagination to don the color and design combinations that the Bhutanese women wear so effectively with casual grace.

The Processional
The procession of the monks was a costumed parade of color and costume, hats, robes, wigs, with drums, horns, and cymbals. The display, pomp, and purposefulness of the whole thing, the shades of a warrior cult with the swords along with the robust and obliging religion showed the workings of power. Bhutan is not a theocracy. Like Saudi Arabia, the state and the official religion work hand in glove ruling the country. It was like an historical reenactment taken to the extremes and we the audience, in our own costumes, were part of the show.

After the processional the king gave a long speech with awards to various citizens. I was told that King's words accompanying the red sashes and swords, the equivalent of knighthood, carried the admonition that the color was that of the Buddha, like the king's yellow, and carried the distinction, not of power, but of responsibility.

The show began with the dancing groups. I was told these came from different areas of the country, though the rhythm of strings, flutes and drums and the uncomplicated male-female singing duets sounded alike to my untrained ear and the gentle movements of lined men and women also had similar lulling qualities. There were no high jumping theatrics, nothing with the least motions of flirting or sexual insinuation.

Nature Story or Saving the Tree or perhaps something else
The following is a description of my favorite performance and from the reaction of the crowds laughing and cheering in the stands, theirs too. N.B. My version is most romantic and in its Golden Bough search for meaning and sacredness, beats all others, even if it is wrong.

The setting: A tree, which I assume stands in for all trees, if not the sacred grove, erected with some effort in the middle of the field. The background music: bird and sounds of nature.

A group of men in gold helmets with neck and cheek flaps, garbed in leopard and tiger skin skirts with tails and legs making the hems, to reinforce the idea of their primitive nature, danced around the tree brandishing their long curved machetes to a wilder beat. They were quite vigorous and one could easily imagine all sorts of variations on virile tree worship. These warriors left and out came a procession of "villagers", the men in shirtless lungis and the women in toga-like vestments wearing crowns and holding offerings or playing flutes. Some religious types followed in their finery--the staff of office, the vestments, their assured carriage. The bird/nature music resumed and one could easily imagine scenes from the Mahabharata or stories of cavorting Dionysian virgins--take your pick.

The music changed to approaching thunder, forcing the "villagers" to take cover with the return of the leopard/tiger-skinned warriors. These latter joyously danced around the tree, but when they moved in as a group with their swords raised to chop down the tree, they are repulsed not only by the thunder from the music, but some magical force from the tree that sent them sprawling on the ground after each attempt at destruction. (a crowd pleaser)The male "villagers" returned with bows and arrows and a great stylized battle took place between the two armed lines, striding forward, retreating, all choreographed against loud, martial music and thunder sound effects. I think the archers won this battle, but it wasn't clear. My assumptions derive from knowing archery is Bhutan's national sport and rational thoughts that that this should show superiority, especially in a National Day celebration. But following the story in the stadium, the religious guardians, accompanied by the bagpipes, cymbals, and drums of Buddhist monks, saved the tree, enticing all the combatants to put down their weapons, with all men now living in harmony.

I was so excited to find this "sacred tree" theme in the Himalayas, expressed so energetically on a Bhutanese playing field in glorious sunshine. Surely, it is hard-wired in human DNA? That a universality of ideas inspire mankind is a soothing thought, able to banish many darker aspirations, unless one looks too closely as the hard-wired nature of evil. When I asked my Bhutanese orthopaedic colleagues the next day to confirm my mythical, universalist rendition, I was told the story probably had something to do with folklore, but neither of the surgeons knew the story and thought it had a more modern ecological meaning of fostering a respect for Bhutan's nature. I will hold to my own version.

Dance of the Monks
My second favorite performance was the dance of the black-hat monks. (Not the traditional Black Hat Dance as done during the festivals.) Dressed in wide-sleeved, voluminous, long, belted robes of red, black, blue, or gold and swathed in various other colored layers the booted monks danced in a studied ritual of circling in a circle. Slowly twirling the handle of their two-sided drum and hitting first one side and then the other with the flexible curved metal "stick", they swooped in forward-bending, back-kicking circles to the low registered drone of long horns. Colors flared with every graceful movement. The tall, conical, and brimmed hats are made taller with a discoid centerpiece and the many strands of braids flowing from under the hats, give the monks a decidedly witch-like aspect. I don't believe (even in my quest for universality) that the origin of these monks' dances align with those of the mystical Sufi dervishes who whirl in their journey to find god. But could the result be the same?

By this time in the early afternoon, a gentle breeze had come up, tempering the hot sun. The silk appliquéd awnings and yellow ruffles of the royal pavilion billowed and fluttered. In true Bhutanese fashion a dog wandered into the field, curled up, and slept. A marching band in yellow ghos, embroidered boots and gold helmets looking a bit like roman legions on the march, performed a routine that would be fitting of a staid half-time football entertainment.

The King's departure
The end of the celebration was a slow dance, the tashi lebey, in a round to which everyone was invited to participate. Judy and I watched. When it was over we waited for the departure of the fifth king, the young handsome king. He turned to us, bowed, and thanked us for coming.

14 December 2009

LIVING IN THIMPHU




Judy and I have been living in Thimphu for almost 2 weeks now, in the two bedroom flat for the nurse anesthetist HVO program. The kilometer + walk to the hospital in the morning is all downhill and the reverse in the afternoon. The orthopaedic guesthouse is on the hospital grounds but suffers from the lingering presence of an offensive dead rat smell. Also being large and cavernous, it is not heatable with the available appliances. Days are sunny and pleasant, needing only a shirt and a fleece, but the nights are well below freezing and space heaters make no dent in the heavy cold.

Changangkha neighborhood
Though Thimphu is a small town with only a couple of major streets, it has taken us this long to get to know where we are and how to describe it to others. We have a map, but none of the locals, including the cab drivers, know the names of the streets. We have learned to give the general neighborhood, Changangkha, the name of an old fortress temple and monastic school, Changangkha Lhakhang, perched on the heights above us. But the best directive we have is DHL. For some reason everyone knows where the DHL office is located. Rounding the corner form the DHL office, our next coordinate is the dripping faucet that identifies our gate from the others. Not exactly a GPS reading, but it seems to do.

Streets are known by obscure names. Colloquially known "Swimming pool Road" is marked as Doebum Lam on the map. Doebum has nothing to do with swimming pools. Directions are given as up or down. The cardinal points of the compass mean little, since nothing lies in a straight line. Even the ups and downs curve most surprisingly.

Shop Number 7
Number addresses mean nothing. Business establishments are in "buildings". And somehow one absorbs these names in an organic manner. Names are another quirk. We were told about a nearby grocery, referred to by everyone as Shop Number 7. Easy as chips--a left and a right, up and up--can't miss it. After a bit of confusion, a helpful woman pointed it out: M/S Lhatshog General Shop and Imports. Yes, the same as Shop Number 7, but the number is nowhere written. The story: Shop Number 7 used to be down in the town where there was some attempt at order with numbering the establishments. When it moved up to Changangkha neighborhood, everyone still called it by the old name. No one knows the present one; I can't even pronounce it. Advantages of shopping at Shop Number 7 is that the walk home is all downhill and one can pick wild marijuana along the road.

Garbage pick upGarbage pick up is another unique cultural experience. A collection truck comes by Tuesday, Thursday, and Saturday mornings, honking its approach between 06:45-08:30. The distinctive horn blasts from the street, followed by the sound of doors opening and slamming, and slipped feet slapping down the stairs announce garbage pick-up. It is almost a community affair with neighbors meeting in the street in various forms of dressing. This seems to be the normal operating procedure throughout the city's neighborhoods.

Thimphu's DogDescriptions of Asian cities are incomplete without some mention of the dogs. Those in Thimpu, and throughout Bhutan, form a separate layer of society that shares the same space with humans, but functions on a completely other plane. They are a constant presence but the Bhutanese treat them as an unseen and unacknowledged underclass that is allowed to go about its business without interference. I walk to work when the few people on the streets and foot paths are cleaners and manual laborers, maybe a few school children, and of course the dogs. Curled up still sleeping in the streets or in hollows in the bush or in protected crevices in broken concrete or already about their business, they are the most obvious denizens of the city. Even in packs they are unthreatening and the only abuse they receive from humans is neglect. Unlike Nepal, I've not seen any physically mistreated. As a whole they don't look particularly disreputable, but many are skinny and the lactating females look particularly forlorn. A patch of sun in a monastery courtyard, the hospital driveway, or the middle of the road is bound to be decorated by a curled canine catching a few Zs so he can join his fellows for the regular nighttime chorus.

The Eviction.
At 14:30 today, 14 Dec, we found out that the owners of the flat near DHL have asked us to be removed so that a relative can stay here. The woman at the hospital is most upset at this abrupt change and we are sad to leave our cozy flat to move into the cold, cavernous ortho guesthouse. Neither of us is convinced the rat smell is completely taken care of and the whole eviction seems rather strange. We could understand if the neighbors had complained about the growing mountain of Druk 11000 beer bottles in a cartoon outside our door, but that doesn't seem to be the case. We will be too far from Shop Number 7 to make use of its downhill trip home, the garbage truck will no longer be a thrice weekly Olympic rush to the street, and we will no longer feel some affinity with DHL. The dogs will remain a constant to remind us that we are still living in Thimphu.

12 December 2009

BHUTAN'S NATIONAL SPORTS





ArcheryAnyone who has been to Bhutan, watched movies or documentaries, or read about the country will know that archery (datse) is the national sport. An anachronistic sport that goes well with a culture where men wear generously cuffed, collared, and belted knee-length bloussomed coats as theirmain garment. Whether competing with traditional bamboo bows or the far more accurate American-made compound bows, men shoot at a small target 145 meters away at local archery ranges. Returning from a birding walk in Bumthang, Judy and I watched part of a match, but were more interested in the jests and personal antics of the players who make sport of all aspects of the game, including the abilities or disabilities of their opponents.

Hurling with the monksOn the same walk we passed three monks playing daygo, a game of hurling a heavy stone at a dug-out depression at the far end of the field. A variation of horse shoes or bocce with the goal of both placing your stone closest to the goal and also displacing your opponents' stones. Monks are prohibited from participating in archery. I wonder if this rule stems from the same sort of reasoning given by the medieval church, prohibiting churchmen from drawing blood. Militant arch-bishops and other religious notables still sat their saddles in the vanguard, cradling maces and rushing into battle to crush the heads of their enemies. They followed, if not the spirit of the Christian laws of brotherly love and turning the other cheek, then at least the letter of the law of drawing no blood.

Tsheten said the usual strategy is to get the heaviest stone one can throw, but also one that doesn't tire the arm before the end, at which time one's opponent with a smaller stone would have the advantage.

The all day darts game
The best sport show of all was a women's dart (khuru) tournament. Early on our second day birding, driving north from Punakha to the Jigme Dorji National Park, we stopped to experience a village darts game. Women from two villages were competing on a rough pitch about 20 meters long, formed from the lowest terrace of a recently harvested rice field. The teams of 8 or so players were made up of young and middle-aged women, done-up in their finest long skirts or dresses (kiras--more about them in another blog) topped off with traditional shining silk jackets, taegos, over a silky shirt, wonju to complete a most stunning and unsportif outfit.


The darts are about 12 inches (30 cm) long with a 3 inch heavy metal point, a bullet-shaped wood "bobbin" centered on the shaft and balanced with three feathers of thin plastic sheet. Thrown with gusto, the darts spin through the air and end up in a wide scatter around a two foot high target that had been pounded into the ground and angled from the players at about 50 degrees. The celebration after a hit brings the winner and her fellow players into a circle in the middle of the field where they perform a traditional song and dance accompanied with some superior laughter and a bit of showing off at the expense of the opposing team.


Late in the afternoon on our way back to Punakha, still hunting for the white-belly heron, the women's game was in full swing, encouraged now by a much larger audience of rooting fans and boisterous commentators, fueled by a day of festivities.

06 December 2009

BIRDING BHUTAN





Flying in the shadow of the giantsThe flight from Katmandu, Nepal to Paro, Bhutan on a clear winter's day, skirting south of the majestic mountain expanse from Everest to Kanchenjunga, is the perfect introduction to the world's one remaining Buddhist kingdom. The looping final approach to the airport between forested mountains, accompanied by a rapid descent, reinforces the notion that one is entering a very different sort of place. Perhaps even dropping into a magical past, cut off from the rest of the world by more than four dimensions.

Instead of saving our travel until the end of the volunteer month, Judy Forbes (friend and volunteer with the anesthesia department at the National Hospital) and I had made arrangements with Tsheten Lodey (www.bhutantouragent.com) to see some of the birds of Bhutan. Neither of us would consider ourselves die-hard twitchers or even moderately avid ones, though I admit to having kept a bird list in our travels and will gladly share it. So, why birds? Birding is simply a way to organize a trip, give context to the lay of the land, and provide delightful entertainment. Both Judy and I are more interested in "pretty birds" than rare ones, and find raptors far too difficult. But give us a foraging nuthatch in an erythrina tree or a busy fantail and we are enchanted. Birding is also quiet and slow--a legitimate excuse for a journey without too much sweat. By the end of our 6 days, the red vented bulbul and Hodgson's redstart had become familiar creatures in an increasingly familiar countryside.

Journey to Discover Bhutan
Tsheten Lodey's company, Journey to Discover Bhutan, organizes specialist tours for studying Bhutan's natural history; cultural endeavors, especially those centered on the exuberant Buddhist religious festivals, for which the country is famous; and trekking. Besides his knowledge of birds, he knows the habitats in which to find a particular species and the time of year to look for them. For example, one day he promised us a honeyguide. He stopped along the side of the road, in what I thought an inauspicious location, and sure enough, camouflaged on a bare branch of a shrub overhanging a rock face sat a yellow-rumped honeyguide.

In a small country that ranges in altitude from 150 meters to 7500 meters in the space of less than 100 kms and varies in rainfall from monsoon fed sub-tropics to dry alpine scrub, a birder is offered an astonishing variety.

The White Bellied Heron
One of Bhutan's rarest birds, the white-bellied heron, winters in the rivers around Punakha in the western part of the country. During our first dinner, some Bhutanese discussed the delay in the bird's appearance. As of 24 Nov it had not been sighted and its return was questioned on TV news casts. Would it arrive? Of course we went looking, walking along the Pho Chhu ( Pho River) near the Punakha Dzong (a fortified monastery combining state administrative and religious functions) the afternoon of the 25th without luck. The next day we drove north into the Jigme Dorji National Park along the Mo Chhu almost to Damji. Two hours walking along the river, hearing from the school children and local adults that, yes, they had all seen the herons. A pair had flown by about noon, an adult and a juvenile had been seen in a place where they commonly fish. We followed bands of boys who showed where the day before or that morning they had seen the birds. Tsheten queried everyone and we followed all leads. But no luck. On the return drive to Punakha we stopped frequently to check the river. Just below the Dzong, near the area we had walked the day before, Tsheten pointed. To the lee of a gravel bar stood a most stately bird. Soft gray in color with an exaggeratedly long neck, he walked in the shallow waters with the purposefulness of royalty. After being admired he spread his wings and, capturing all the grace of his species in that one movement, flew down river.

ShatuOur driver, Shatu, is also a birder, as well as ex-champion light weight boxer in the army. In a country of one lane roads and inexperienced, young, male drivers Shatu's army-acquired driving skills were reassuring. Shatu knows birds by sounds and their habits, something for which I have no talent. He grew up in eastern Bhutan, west of Mongar, where the semi-tropical forests are home to the best birding in the country. He learned about birds while tending his family's cattle and spending time in cattle camps. While driving with his window open, he'd hear a bird song or call, tilt his head a few degrees, stop the car, and say its name, showing us the bird--usually one we could hardly identify with binoculars and a bird book. He reminded me of the endearing character, Benjamin, in the book, A Guide to the Birds of East Africa--A Novel.

Sunbirds and Flowerpeckers
During our tour winter flowering cherry trees in clouds of pink blossom studded the mixed deciduous temperate forests, breaking the green with unexpected spring-color. Our first day out we stopped to take a picture of one glorious specimen tree along the road and spent an hour observing sunbirds, flowerpeckers, warblers and tits who were making that curve in the road a vibrating, noisy aviary. Finding a cherry tree and parking ourselves at an easy viewing distance became our strategy for early morning independent bird watching.

The Black-necked Crane
Like most members of its family, the black-necked crane is globally threatened. In the late autumn hundreds leave their Tibetan breeding grounds and head to the extensive marshes of the Phobjikha valley in central Bhutan where they attract an array of tourists from unreconstructed twitchers to the casually curious. Like the white-bellied heron, this bird's preservation has become part of Bhutanese culture. Conservation and recognition of the endangered, threatened, vulnerable, or rare animals and their habitats is a governmental goal, taught in schools, and practiced by the citizens. We saw this when hunting for the white-bellied heron. The children knew this bird and its habits in a way I have rarely seen with American children or ever practiced myself.

The extent and diversity of its forests set Bhutan apart from other Himalayan countries. Over 70% of the country remains forested and in turn, most of the birds are forest and scrub dependent species. Bhutan has birds similar to those I know from Africa, such as sunbirds, drongos, hornbills, and bulbuls, while others such as crossbills and grosbeaks look similar to North American regulars. Though the plumage of the spotted nutcracker looks nothing like that of the Clark's nutcracker I know in Montana, the body, the beak, the call and habits make them unmistakable cousins. But I knew nothing of minivets, fulvettas, or redstarts until seeing them here.

Spring, the season of flowering for Bhutan's 47 varieties of spectacular rhododendrons and other seasonal blossoms is the best time for seeing birds. Ah, something to look forward to.

22 November 2009

AROUND TANSEN (aka Palpa)

Hike to Ranighat
When a Nepali tells you a journey is flat, he or she sees it with different eyes than mine and most other Westerners. Moderate ups and downs don't register with a Nepali the same way they do with one more used to "true flat". When asked the time to a certain place, we were given both a Nepali time and a "bedeshi time". (Bedeshi is the neutral term for non-Nepali) A "bedeshi time with camera"--talking advantage of all photo-ops--is longer still. However, this telling of distance by hours I find strange since few Nepalis wear watches and asking 4 different people the same question of distance gives five different answers.

I joined a group of 9 Westerns who started off from the Tansen Mission Hospital on Thursday morning and worked our way down and around the hills on paths and rutted dirt roads to the Kali Gandaki River. I believe the general direction was north and west, but I don't think the cardinal points on a compass mean a great deal in the mountains. During this time we gradually descended through forest, around fields and farms before reaching a warm, damp almost jungle growth. Along the path were spreading Ficus religious trees in cement platforms, many types and sizes of bamboo, holly, rice fields--recently harvested, humped cattle plowing the terraces for the winter crop and people going about their agrarian business. We were serenaded with the sound of water in irrigation canals and natural springs and an intermittent hum of cicadas in the lower altitudes along the river. The sparkle of small and medium sized butterflies flitting among the flowering shrubs growing in the dappled sun along the paths added movement to rather idyllic scene.

A rundown 19th C. palace on the Kali Gandaki River called Ranighat was our goal. Built on a platform with steps down to the green-watered river between two deep curves, this river abode--built in honor of a local ruler's consort--still shows vestiges of its previous grandeur. We arrived after 4 hours walking and ate our bananas, crackers, biscuits, oranges, and sandwiches in the cool shade.

Continuing to Ramdi?Reiner, the leader and a surgeon who had worked at the hospital for a number of years and spoke Nepali, asked some of the locals about the possibility of us following the river to Ramdi where we could find transport by vehicle back to Tansen. The villagers said it would take about 4 hours, and once we gained the ridge, we had only to follow the river along a level path. This is where the excursion began to take shades of one of Orty's and my unprepared few hour hikes that inevitably turn into a full day unprepared hike in unmapped territory. And remember, a Nepali "level path" has nothing to do with flatlander bedeshi reality.

The way Reiner put forth the choices of a rather boring return along the way we came, verses an exciting, but pleasant 4 hour walk, who could have chosen the former? His directions written on four lines, didn't match much of what we found. We were often on the wrong path, traveling in the opposite direction from what we were supposed to, but always people helped us, sometimes walking with us to point out a tricky intersection or hidden turn-off.

Jacob, the Swedish medical student, and his wife Therese had a large packet of balloons in their backpack. Every filthy, snot-nosed child received one, looking quite amazed at the strange present. It reminded me of my father's buzzy bees--his signature balloon reward, which fascinated many youngsters, erasing the sting of a shot or painful prodding.

The litter along the paths and roads is quite foul in Nepal. Plastic chip packets and candy wrappers are the norm, the result of a culture unused to waste disposal. One wonders if the unnatural sight of the litter doesn't offend the Nepalis, but I suspect they have a blind spot for such vulgarity.

One bright spot in the Nepali landscape is the variety of color. Houses are painted or the wooden doors and window frames are painted bright colors. Flowers, especially marigolds are in profusion around the houses and women wear bright colors, glorifying themselves and the clothes lines.

About 16:30 we started to cross a footbridge of the Kali Gandaki River, thinking we were heading in the right direction and could catch a vehicle on the other side. A motorcycle driver coming across told Reiner that what we wanted was still a good hour away and in the opposite direction. He gave Reiner directions and said that he'd drive ahead to his village and wait to show us the way so we got on the correct road.

The United Mission Hospital of Tansen has a good name in the area. People we met in the villages responded positively to us because of the hospital. I think they feel that they get good treatment at a fair price and if really poor, know they will be taken care of without payment. Reiner introduced us as working there, which may have set the stage, but still, there was a sense of recognition, and smiles, showing that people appreciate the hospital's presence.

It seemed that every time Reiner stopped to ask directions the distance to Ramdi magically lengthened and the time to reach our destination grew like Pinocchio's nose--as if we were walking in a fairy tale or a Steven King story. It was beginning to get dark and we had still at least an hour to go, probably longer. Just as the group arrived in the motorcyclist's village a jeep from Tansen came trundling down the rutted road. The driver agreed to drive us back to the hospital. What a fortuitous, unplanned coincidence.

Traveling half in dusk, half in darkness we rode the treacherously narrow and steep mud road up and up, then down and down for an hour in the 15 km trip to Tansen. The 30 year old driver was the one person in the entire world who best knew the road, including the 6 curves that have to be taken by backing up part way because they are too sharp to be taken in one try. Despite the lack of any barrier to the sheer drops into the great Himalayan void, we were grateful for the jeep's fortuitous arrival and the agreement to bring us home after a long and tiring day.

17 November 2009

TANSEN AKA PALPA, Western Nepal

Beggars and their dogsMany of the Kathmandu beggars have dogs. The few curs I've seen up close, sleeping on the same mats and blankets as beggars look no worse off, and usually a lot better than most other dogs, who suffer from mange and worms. I wonder if the beggars beg for the dogs and share, of if the canines are on their own for procuring meals. Not being dependent on a human for food, it may be a purely companionable relationship. I like to think so, because I imagine the future in such a relationship. When I become a demented bag lady, I will have a short-haired rather small dog, one that keeps my feet warm. Seeing the possibilities on Kathmandu's streets makes planning for this eventuality a little more realistic. I know I won't be the only one.

The Road to TansenSapana Panday's father graciously escorted me to the central bus station at 06:30 Sunday morning. He'd already purchased my ticket to Tansen, though it could have been purchased that morning without problems. I feel very pampered to have such attention. It has made movement easy, almost too easy, since I don't have to figure out my own coping strategies. I had seat number 8, a window seat on bus 4806, with "speed control" written across the front bumper. The painting of a trident holding blue Shiva with a cobra wrapped around his neck graced the front of the Tata bus, flanked by pairs of outstretched open-palmed hands offering flowers . The sides were painted with identical village scenes of houses in hills with a shrine. I wrote down the number of the bus's license plates because at crowded bus stations I've sometimes lost my bus due to poor attention to such simple details.

I was both dreading this estimated 10 hour trip and looking forward to the adventure. Where the line of adventure would cross into abject discomfort was unknown, but could have been at any stage in the journey. How much abuse can an already grumbly lumbar spine take? And the toilet facilities? Do they exist? Can one stomach them? Ah! This is always my worry, though in Nepal it is less a problem than in a place like Afghanistan. And if I'm so worried about toilets, what am I doing here? About an hour out of Kathmandu valley, the bus stopped and all the men got out to pee. At the breakfast stop, (greasy chapattis and curry potatoes) there were some not totally disgusting loos and even water to wash hands. And much later in the almost dark, I went with two sari-clad women into some low shrubs at the far side of the road and squatted. I didn't drink all day, fearful of the consequences.

It was not an uncomfortable trip. In fact, the small, up-right seat with no space for knees did wonders for my back. Don't ask how. I sat beside an old Nepali man in a wool coat and Nepali hat. He was quiet, didn't cough or burp too much and considering what could have been, I was grateful for this politely quiet and neutrally fragranced seat mate. He politely refused my offer of a digestive cracker, which may have been because of its appearance, my caste, or his lack of hunger.
The mountains to the north were misty, everything was misty, my pictures taken out of the opened window are blurred or inconsequential and hardly worth saving. How many pictures of harvested terraced rice fields can one justifiably save ?

We traveled south from KTMD, crossing the middle range of mountains in vertiginous curves, following a river, (sorry, I do not know the name) into the terai, the southern strip of flat land, which is more like India than one's storybook idea of Sherpa landscape. In the terai we made good time on the straight road heading west until 40 km E as Butwal, where we came to a stop behind a 300 meter line of backed-up trucks and buses. A multi-ton road building machine had fallen off a truck on a sharp curve and now, on its side, blocked the road. No matter the lever, and no matter the number of Nepalis giving directions, I could see nothing positive coming of this affair for many hours. I tied my fleece around my waist, shouldered my back pack, and grabbing my laptop, set off.

What a wonderful feeling. I'd been so pampered with help from people arranging tickets, ferreting out times, driving me to appointments or picking me up, that I'd forgotten the sense of freedom independent travel can give. In a space of minutes I was made a free agent and in the process felt a new capability. I started walking, crossed under and over the wreck and near the end of the backed-up traffic on the other side found a bus heading west for the town of Butwal. As the bus was taking off, I was offered a seat, shared with a man and three absolutely filthy children at the very front of the bus. What a great seat. As the children pawed me and kicked me with their dirty feet, I reminded myself that if I wanted to stay clean I wouldn't be traveling in Nepal on a public bus. My bags had been left on the rack in the back where I'd been standing before the offer of the seat arose and I was a bit concerned about pickpockets, but tried to release the thought, insisting to myself that people are generally good and helpful. Which of course they are.

The Butwal bus left me at the edge of town and I took a rickshaw to the station to catch a bus to Tansen. I was the last passenger to board the last bus and was on the road again within a few minutes, at 17:00. Wow! What luck. (Strange that a small good fortune quickly following a set back seems so especially sweet).My crowded back seat and the growing dusk didn't allow much appreciation of the canyon we followed north. All my trust in the driver on this exquisitely twisting road was rewarded with arrival in Tansen, possibly at about the same time as my scheduled bus would have arrived had it not been blocked.

I called my contact, the true value of cell phone technology at night in strange towns where one hasn't a clue, and in short time was whisked to Tansen hospital --United Mission Hospital of Tansen--where a room was waiting as well as a slightly cold, but welcome dinner of pizza and cabbage (which wasn't pizza at all, more like cake topped with buffalo meat, but as close as one is likely to get to pizza in western Nepal). I ate with great appreciation. After dinner I walked outside the hospital gates, found a "cold shop" selling beer, bought a 650ml Tuborg and drank what I didn't dare drink all day.

14 November 2009

DHARAN

Rice harvest
Nepal's rice harvest is almost finished. On the flat cobbles in front of temples and shrines piles of grain lie on plastic sheets to dry. No associated blessing accompanies this placement as I'd assumed, thinking of the blessing of first fruits or the blessing of the fleet. It is simply a matter of making use of an open and warm space. In the fields bundles of rice straw are carefully arranged in solid cylinders about 6'wide and 6' tall, coming to a point in the center topped with a decorative marigold branch. What is it about the flowing lines of terraced rice fields that stir the heart? The infinite shades of green or gold, the notion of fecundity, the foreignness of the organic lines to western eyes? Rice fields dominate Kathmandu's eastern valley. The middle distance is thick jungle or forest, while snow sharpens the distant peaks. Viewing the cold, forbidding, far horizon framed by graceful banana leaves puts the scene into another world.

Yeti Air
Thursday morning I flew Yeti Air from Kathmandu to Biratnagar in the SE of Nepal to visit the BP Koirala Institute of Health Sciences in Dharan. Kathmandu's small domestic terminal was filled with trekkers, primarily "geared-to-go" middle aged Europeans or young travelers in their 20s, flying to distant base camps to begin their treks. The quality of the PA system made announcements incomprehensible, so everyone crowded around the airport staff near the gate, afraid to miss their plane. One can fly Yeti Air, Buddha Air, Cosmic Air, Gurka Air, Agni Air, Mountain Air, or Tara Air. After learning about Tara at the Rubin Museum before coming to Nepal, and knowing how positively disposed she is for helping humans, I would have liked to fly with her. I was the only barang (frangi, gringo, haole) traveling to Biratnagar--not exactly a prime trekking destination.

Taking off at 07:20 the fog in the valleys hadn't yet been burned off and another layer of cloud obscured the high peaks to the north. The landscape of the middle range became steeper and drier as we flew east, forest and field giving way to rock and scattered hamlets. The cloud and the filthy window prohibited any reasonable picture taking.

Dharan
Biratnagar is flat, warm, and humid, with an immediately recognized decrease in smog compared to KTMD. It also has more bikes and rickshaws, tractors and old trucks on the flat, better maintained roads.

Congregations of Indian mynahs on wires look natural here. Delonix regia, coconut, mango, acacias, figs of various types, eucalypts, casuarina, plumaria, papaya, great spreading canopies of an albezzia, and 40' tall bauhinia purpura are trees I can identify. There are many more I can't place.

The campus of BP Koirala Institute of Health Sciences is lush with old growth trees in a run-down park-like setting. The British built a Gurkha camp with hospital here and now it has evolved into almost a town dominated by the extensive health complex of hospital, medical and dental schools, hostels and housing and playing fields. The huge compound has a nice, active feel.

The ER is a crowded chaotic mess with patients on mattresses on the floor and people milling, pushing to enter, demanding, holding up their papers. The noise is terrific. I was taken aback seeing a middle aged man in peasant clothes bagging a patient while white coated doctors and nurses tended the person on the trolley. My orthopaedic colleagues frowned when I commented on this, saying it was sad, but the hospital only has a limited number of ventilators and not enough staff to physically ventilate every patient who comes to the ER in need of assistance breathing. A family member has to do it. I can't imagine what a son must feel when he is handed an ambu bag and told to press it in order to deliver oxygen to this dying mother.

My room at the guest house is fairly clean, a bit shabby, but suitable. Besides space sufficient to do TaiChi, hearing the familiar chur-chur of resident geckos makes even the lack of hot water acceptable.

While I bought a beer at a small shop outside the hospital, a woman came up and stood beside me at the counter. With no verbal exchange, the proprietress walked to the back of the store and returned with a half liter of whiskey, wrapped it and gave it to the woman. How convenient to have your wants known without saying a word. I came away with a semi cool 650ml Tuborg, wrapped in a June 26, 2009 page from the Katmandu Post.

While waiting at the Biratnagar airport for the return Yeti flight to Kathmandu, a small high-winged STOL airplane taxied to the departure gate. Short dark, wrinkled hill people--women with heavy gold rings hanging from their nasal septums and ears and wearing long colorful skirts and head wraps--filed out of the gate and into the plane.

It seems one can tell where people are going by their clothes and what plane they board. The trekkers in their gear leave in certain planes, the hill people in another and just regular folk into another. Who you are determines your destination.

The "GPS Manikin"
I don't know the streets in Kathmandu or the neighborhoods, except the one in which I'm presently staying. I don't even know which way I'm traveling and the short cuts the taxi drivers take leave me baffled. However, over a couple days riding around the city I have come to recognize a few landmarks. One is a manikin at a dress shop. It stands on the sidewalk and has breasts so pointed and unbalanced, Barbie would be embarrassed.

12 November 2009

Thoughts after a week in Katmandu

The Pandey Children
The five year old Pandey girl, Chandani, goes to all-day kindergarten. She can read and write short stories in English and Nepali. I was told she can read the Nepali newspaper, though has to ask the meanings of some of the longer words. When could I write stories in English, let alone a foreign language? Maybe second grade. Though I know this sort of private education is not given to all Nepali children, or even 1%, her abilities let me know how and why we Americans are not destined to remain a powerful force in the world much longer. The educated people from the rest of the world are going to eat us alive, crunch our ill-educated bones for the marrow, and spit out our indigestible parts without us even asking for quarter or even knowing how to ask, because we have become so ignorant.

Seeing how the Pandey children's top-notch education sets them apart from what I know of American children and of most Nepali children, I am struck by the power of knowledge and education. It doesn't bring us together, but instead divides us. On the savannah we all had pretty much the same education, knew the same things, held similar ideas. With the expansion in our fund of knowledge or information we become divided into haves and have-nots. No matter the category of life one studies there are those who get it and those who don't. If in one category you are a "have", it is more likely that you are a have in a few others. The same goes for the have nots. The divisions seem to be coming out more and more unequal.

Chaos after civil war
On our overland walk to the hospital to avoid the chaos of the demonstration that blocked off his hospital last Friday, Chakra made the point that despite having no government, and living in the midst of chaos, people continue to function as if life is normal--evidence that there is a human need or constitutional imperative to live and sort out life the best way possible.

Nepal is an example not of a developing country but of a deteriorating country. It shows how civil war can destroy the cultural fabric of the country. The insurgency has done nothing positive for anyone. Previous levels of trust (what Chakra called the innate forgiveness of Nepalis) no longer exist. The blame can be placed in many quarters, but I don't see how anything positive can come from the existing situation. A Nepali mentioned that he'd been in Vietnam and saw that everyone between the ages of 15-50 was moving, going somewhere, doing something. In Nepal, about half the people were moving and after 2 weeks in Sierra Leone, he calculated that about 10% of the people were moving. He figured a country had about 5 years, or some set, short time in which to right itself after a civil war, and Vietnam had passed this magic interval satisfactorily and is on its way to wealth and stability. Nepal is rapidly losing the opportunity and SL, well, . .


One of the wireless phone companies is called STD. Signs on small shop windows advertising STD/ISD available make me think automatically they are clinics to treat sexually transmitted diseases.

Kathmandu's Durbar Square
On Saturday Cherin Pandey, male about 13, and I visited Kathmandu's Durbar Square. one of the main tourist attractions in the city. A must-do. The historic site of official business lined with old government buildings and crowded with temples, filled now with tourists, touts, punks, dogs, motorcycles and cars. We started our walk in the tourist area of Thamel. I was a bit confused because I couldn't figure out where on the map we had actually started since none of the streets have names and even my little compass confused me. Cherin was a fastidious guide. Every 25 meters he'd ask a person the way even though we'd already been told and hadn't changed direction, or met up with a side street that would have allowed a change in direction.

The Square and its buildings were uninteresting--crowded, noisy, smelling of human waste and awash with litter. I would have no reason to return, or to walk through Thamel, past the souvenir sellers with their gaudy overpriced merchandise. Since I am uninterested in buying, nothing looks interesting to me.

Toy-Toying in Nepal
Sunday, on the drive to Nepal Orthopaedic Hospital the car was twice diverted into long treacherously crowded and dusty detours because of demonstrators performing on the road. This seems to happen daily. A group is unhappy about something and takes its discontent into the street. It all seems relatively peaceful, with chanting and marching, nothing mean or aggressive, but the street is closed, inconveniencing everyone and raising the general level of frustration mixed with anger. Such actions are called marches or demonstrations, but I think of them using the South African word: they are toyi-toying in the street. The term fits.

On Tues the Kathmandu Valley was shut off by the Maoists at all the major roads. No guns, no violence, just long sticks, red flags, red and blue baseball caps, plus some singing and dancing. By their numbers and the narrowness of the road, the mass of primarily male demonstrators prevented vehicles from coming in or leaving the valley all day. Riot police stood in their protective gear along the road, a presence only.

I had been planning to visit two hospitals east of the city and secured a ride beyond the valley's boundary in an official hospital van. After much palaver with the demonstrators the driver got us through in the morning, but coming back to the city we had to wait until one leader, with a very bad hair color job, finished his speech. Driving out I sat in the front passenger seat. I was told my presence was auspicious because Maoists are known to be kindly disposed to foreigners and generally don't harm them. (thought extracting payment is another thing) I suppose they are keen to prevent bad publicity. These toyi-toyis add to the already atrociously snarled traffic and fray the nerves.

I can't imagine the Afghans toyi-toying like the Nepalis or even the Africans. Demonstrating a grievance by taking it nonviolently to the street doesn't fit with notions of any preferred Afghan response. On further reflection, such peaceful action seems positively ridiculous in an Afghan setting.

08 November 2009

ARRIVAL IN NEPAL

On approach to Kathmandu, the rugged snowy peaks of the Himalaya sparkle above the horizon of green hills protecting the Kathmandu valley. A magnificent sight marred only by thick fumes pouring from open fires and smoke stacks.

Traffic
The traffic problems of the city, and I suspect of the country, are an inadequate road system in 1)quantity for the rapidly growing amount of traffic and 2) structural quality so that what little is available is rather more a detriment than a conduit for travel. Walking is a nightmare of avoiding both the torn up sidewalks, if there are any, and the vehicles whose sole goal has nothing to do with extending one's longevity. The roads can not be widened and no attempt has been made to repair or repave them. 99% of the hordes of careening motorcycles are driven by young men without either licenses or regard. They could well be seconds for any scene from Mad Max.

The city is filthy in litter, plastic bags, dust, and pollution. Foul smells of organic waste abound, mixed with chemical irritants. In short it is not a friendly city, liberally spiked with all manner of difficulties in getting from point A to point B. However, the home Dr.Chakra Pandey and his family have offered me is off the main street in as quiet and peaceful a setting as one can imagine in a noisy Asian city. (Night dogs still require ear plugs.) At 06:00, first light, pigeons and house crows awaken along with a 20 second lilting wake-up song by an unseen bulbul type of bird, who rouses the sparrows who chirp off and on all day. Mango, persimmon, orange, papaya, and kumquat trees line the garden parterres along with clay pots of marigolds and chrysanthemums. Cannonballs of pommelos hang from a neighbor's tree over one wall. The temperature hovers around 55-60° at night, warming in the sun to a cool bright 75°.

I have been given a pleasant sunny upstairs bedroom in a house adjacent to the Pandey's, but on their compound. The first floor's spacious entrance room has little furniture and its smooth wood floor and open space allow an exuberant, daily Tai Chi ritual. All in all a perfect place.

Fitted for Shalwar-Kamis
I thought I needed a shalwar/kamis, something a little lighter, a bit dressier than my expedition gear. I was also looking for clothing for warmer weather than the one I imagined from snowy Montana, and chosen with the thought of surviving a Himalayan December. I pictured some cheap clothes, but in the ready made stores there wasn't much without beads and sequins or gold glitter. The local tailor has pre-made sets of color and pattern coordinated cloth pieces suitable for top and bottom and a shawl that are then made up in the style one chooses from a picture book. I picked out all the components and dimensions for my sartorial masterpiece-- a round neck opening large enough so there's no need for a zip or buttons, long sleeves, kamis length to below knee, shalwar of thin legs bunched up at the ankles and elastic waist band. The picture book showing the various styles looked like the book I used in Sierra Leone for a wedding party dress--a mix and match guide of possibilities. It was quite exciting creating what I think I wanted, though I'm sure that when I try it on, I will find something not quite right. Sapana, Chakra's accommodating wife, did all the talking for the transaction. How wonderful to watch someone who understands how to get what she wants.

Nepali style Anarchy
Thurs afternoon, the day I arrived, 5 Nov, a bus ran into 3 people buying radishes beside the street, killing them. The driver ran away, knowing he'd be held accountable to some sort of public "justice". People destroyed the bus (similar to killing the messenger) and a big demonstration took over the street which the police closed, snarling traffic for the next 24 hours.

The hospital in Dharan was recently closed for a week because a patient's relatives had beat up some doctors when something untoward happened to the patient. Chakra attributed it to the general anarchy, since the state offers no security or justice and the hospital can't provide it either because the hired guards aren't trained, have no authority, and run away when trouble starts. Like the bus driver.

Friday the road to Chakra's hospital was closed, even ambulances weren't allowed to pass the barricades. One of the servants drove us until we couldn't go further because of a traffic jam, so we walked among the stalled cars, over a bridge, down a dirt embankment, up and around to the hospital. From the orthopaedic clinic windows I watched demonstrators march on the street, shouting slogans. The road was finally opened late in the afternoon.

06 November 2009

5 Nov,
NEW YORK AND THE RUBIN MUSEUM OF ART

A couple weeks ago I came upon the name and description of this museum and a coupon from the internet for a free pass to accompany a person paying full price. I thought this would be something worthwhile to prime a trip to Nepal and Bhutan. Dick Freeman and I spent an informative afternoon in this tasteful, new museum. One of the organization's goals is to inform and educate people about the art one finds in the Himalayan areas, concentrating on a Tibetan Buddhism. This it does very well.

At the suggestion of the ticket seller, we joined a small tour group run by a white-haired gentleman who by picking a few exhibits gave the half dozen in the group the barest beginnings of an education. He was wonderfully knowledgeable and able to answer questions without losing us on detail. He made the many arms of the gods less threatening, despite the weapons wielded in each.

He started with the art of Gandhara--the melding of Indian-Buddhism symbols and forms with Greco-Macedonian classical conventions starting in the 3rd C. BCE. Greek facial features, classical Greek hair in ringlets topped with a Buddhist topknot of wisdom; classical draping and arrangement of clothes into a toga; Greek sandals; and a short body of un-classical eastern proportions but shielded with a muscled classical chest, standing on a pediment with a frieze of figures such that one would see on a sarcophagus . The example in the museum is quite instructive of the melding of the familiar with the unfamiliar in a specific setting. (There must be other examples of such cultural fusion come to life in the art of the period, but I can't think of any). A fusion that I'm sure made all the sense in the world to the artists of the day, little aware of what came before and after or what they were "suppose to do" or how they were "suppose to do it".

Our guide, George, explained the Buddhist goddess Tara. She comes in various colors, represented by the colors of the rainbow. I don't quite understand what all she does, or how she functions, but she is a helpful deity, one people turn to and she is known to deliver, ready to jump, coming to one's assistance. This pose of readiness is portrayed by the right leg having slid from its folded, seated position so that it hangs dependent over her seat in readiness to come to assistance. The right hand, open-palmed and dependent resting over the knee gives added motion and intent to her willingness. The way George explained this posture, a bit of ignorance was washed away.

HALLOWEEN

Everyone in NYC was in Halloween mood--much in the way of lawn (if there are lawns in Brooklyn) and fence decorations with cotton strew to look like thick cobwebs, pipe cleaner spiders, parts of human skeletons sticking up from the ground and of course pumpkins. Kids out all Saturday morning and afternoon in costume and adults and teens in the evening/night. Ninjas, Chinese princesses, supermen and Ghostbusters filled the subways. All quite glorious to see, everyone having fun, testing new personas. I haven't experienced Halloween with such intensity since I last trick or treated, probably 45 years ago. And that was before many people took the occasion as seriously as they now do.

NYC MARATHON

Sunday, the 1st was the NYC marathon. We saw the start with the elite women going first over the Verrazano Bridge from Staten Island into Brooklyn on TV then walked to the corner of 8th St. and 4th Avenue where we saw the runners run past--all 40,000! The energy was palpable, each runner a part of a larger organism. People around me were calling out, "Go Kate, go Fiona, Go Italy," urging the named runners, their country or the charities they were running for. Energy traveled both ways from runners to bystanders and back, people on the curb held out their hands, slapping palms with the runners. Despite the cold, the wind, the damp, I enjoyed it very much.

The wheelchair participants, the blind, the ones whom you know were out to prove a point were very heroic, including a white haired woman in a wheelchair. Some of the people looked as if they hadn't trained at all and doing grave injustice to their bodies should not have been in the field, their fat jiggling, but still, you have to hand it to them--just to try takes something.

AIRLINE REGULATIONS

Tues 3 Nov--JFK in the early afternoon is almost bare, not the time for flights to Europe or Asia. When I left Billings on Fri I had to remove some SIGN nails from my checked in bag because it was too heavy. So, Dick Freeman and I removed some to a separate box with some clothes to distribute the weight since the allowed check in baggage is 2 bags of 50 lbs each. The box was small, taped up and tied with rope--appropriate with all the roped suitcases on board for the sub continent. The check in people didn't like the box. I think it was too small and their reasoning of it getting wet and ruined didn't make sense. So I was asked to put the box into my red roll-on. After all that work or trying to figure out what is right! Preparing for the next leg to Kathmandu, I've discarded the box since its individual contents are easier to stuff in the red bag. I hope I don't get called again on this.

For the one airport that is the primary eastern gateway to the US, JFK is very tawdry; the people who should be nice are rude, barking orders. In a restroom, I couldn't get hand soap from a whole series of dispensers. The cleaner yelled from her duties, "no soap". I gestured disgust with a shrug and she came out and flicked her hand along the line of soapless sinks, "no soap," she said, as if I was totally clueless and gestured for me to use the other line of sinks. Does the airport have the funds to fill only one line of hand soap dispensers?

DELHI

A night in India, for the 14 hour layover before the flight to Kathmandu.
I'm back in the land of ledger books whose white, colored and carbon papers are of flimsy stuff, so that the ink feathers and is unreadable. How incongruent for a country with a huge computer and informational business. This is also the land of lackeys and gofers--a surfeit of official low level workers who in their attempts to be helpful get in the way.

12 June 2009

Return to Balkh and the Salang Tunnel


Southside of the Salang Tunnel





Walls of the Bala Hissar at Balkh, late afternoon.



(I started this final blog about Afghanistan on the 4th of June and became distracted. Please forgive. )

For my last weekend in Mazar I had asked for a trip to walk the walls of Balkh with someone who knew the area. Most of my doctor friends are not particularly interested in the history that fuels these desires and do not feel comfortable in this town that is known to have strong taliban ties. Someone big and knowledgeable about the area--in short a Pashtun protector--was what I was after. On Thursday it seemed that the trip wasn't going to come off but at 08:00 Friday morning Rahimullah called to say he would pick me up at 14:15 to take me to a cross-roads where Dr. Meraj, one of our colleagues, would be waiting to take me to Balkh.

On most outings with Afghans I am generally left in the dark. Though I might request to see certain things, the going, the timing, and much of the execution are up to others. This is unnatural for me. On this trip, I was particularly left in the dark. Afghans aren't the sort to start the trip with a little organizational pow-wow, outlining the details of the agenda. Even among the planners, the details seem to get sorted out, piecemeal, as they arise, and rarely with a "plan B" in place in case plan A fails. I wasn't sure Meraj knew exactly what I wanted, or maybe he correctly thought better to ignore my requests, after all, what person really wants to walk around Balkh's walls when the temperature hovers at 100°F. His English is rough and I often find bits are missing in the translation of words to action. He asked a friend of his, Shah Gawsi, who lives in Balkh and who knows many of the ruins to accompany us. I had badly misjudged Meraj.

On our way into the town, Meraj asked if I knew Jalalludin Rumi. I caught enough to recognize the name of the Sufi poet. The celebrated Rumi had left Balkh at the age of 12, two years before Genghis Khan razed the city and massacred the population in the early 13th century. Shah Gawsi took us on a tour of the shrines to Rumi, plus some other shrines, of which Balkh holds an inordinate number. None of them were particularly beautiful, but all were festive with Friday picnickers. At the first shrine I commented on the majesty of a tall chenar tree. The next shrine was graced with a much larger chenar, a lofty patriarch with many trunks spawned from its ancient roots. It was truly a tree to be worshipped. A rope and wooden-seated swing hung from a stout branch and young bearded men vied with each other to pump for acrobatic height. I was entertained, watching the boy-men swing in the cool shade, being, as well, entertainment as a farangi woman.

We drove to the ruins of Rumi's house and the mosque/madressa of his father Bauhuidin. Only a few preserved ogive arches of baked brick and mud survive. Shah Gawsi said the Turkish government wants to develop this area for tourism, but the villagers have rightly nixed the plan. I could gain little sense of Rumi, but these ruins in the middle of the village's fields and orchards gave a sense of the timelessness of the people and landscape. We continued to drive a further few kilometers on a dusty road through another village of horse carts and people working in their fields to another shrine. The village roofs were stacked with thick, brown rounds of animal fuel, like great loaves of rustic hearth-baked bread.

On this particular shrine, to one of Rumi's teachers I remain completely ignorant. The grave lies in a garden, a true refuge from the heat, among fruit trees. We walked under grape arbors and a haphazard orchard mixed with roses to an unwalled compound, maybe 12 by 12 meters, of flatted packed dirt deep in the shade of surrounding chenars. The old man guardian was smoking hashish in his cool garden on this hot afternoon. We paid our respects and left in peace.

We back tracked to the inner ancient wall of Balkh, and another shrine, this to Shah Nabi, under a huge rip-stop tent. His long grave could have held a dozen or two uncrowded bodies. From there we entered the ancient inner city walls. When I was in Balkh 3 years ago, I wasn't oriented, this time, Meraj pointed out ruins and sights to me and I finally got a sense of the ancient city--the outer walls extending into the orchards and fields, the inner city walls of the Bala Hissar, and finally the walls of the high citadel. Were these the walls Alexander saw? Were these outlines of the Bala Hissar the walls under which he married Roxanne, the 13 year old daughter of a Sogdian warlord? I don't know. The city inside these ruined mounds of mud had been a living, changing entity through its thousands of years of habitation.

From the citadel we drove across the empty space of the old inner city, the Bala Hissar, and through another portal to another shrine and walked along the walls a short way. Meraj wanted to show me the mosque-shrine to Nasra Parsa and the grave of the poetess, Rabia Balkhi, a princess who fell in love with a slave, was imprisoned for her passion, and died writing her final poem in her own blood. We walked through the cool central park of Balkh in the late afternoon. It smelled of deep shaded greenery. The gypsy women were gone. I was walking with two men, one large and the other known in the city and two children. I was looked at, but the stares were not obtrusive because I was protected. For all I know the stares were harsher, longer, but the presence of men beside me, their sauntering attitude, their unhesitancy at approaching the shrines, deflected all the negatives. How remarkable this was. I liked Balkh; the park that before had been filled with luring men, turning, twice, three times to stare at me, no longer existed.


About 18:00 we returned to Shah Gawsi's orchard, picked sour cherries then rested on some carpets, toshaks (thin mattresses),and pillows he had laid out on some well-tamped dirt under a 9-trunked chenar whose leaves grew as large as a man's head. Another magnificent specimen. From this slightly elevated position I sat in the background, out of the conversation, unobtrusive. I watched people slowly, sauntering by or casually pedaling a single-geared bike under the trees and along the walls, returning home in the early evening dusk.

A young man climbed a nearby mulberry, tut, tree, shook it while young boys held a sheet to catch the falling fruit. Like kings, we were handed platters of sweet, soft, white tut that melted in the mouth. This was an Afghan scene I'd read about many times, thinking it bordered on perfection, yet sure I'd never experience it. Meraj handed it to me along with his tour of the walls--like the tut--on a platter, perfectly ripe and without even knowing it is what I most desired.

A few days after this trip to Balkh I left Mazar on the bus to Kabul over the Salang Pass and tunnel. I Bought bus tickets for myself and Amy Son, who was in Mazar visiting from Kabul, the day before. I wanted two window seats so we could both have unobstructed views of the countryside, but the man wouldn't sell them; the two foreign women had to sit together. When I protested, the ticket seller looked at me with furrowed forehead and explained to Rahimullah, "But who will sit next to them?" No lone male would sit beside us and no lone female travels--they always have someone with them.

The bus hit the road at 04:20. People were already working in the fields. It was still a bit dark and the window at our seat was clouded with something between the two panes, so I didn't get the sort of view I expected. South of Tashqurgan we passed through a narrow, windy gorge of red rock. Despite the clouded window and the early light, the red gorge was quite spectacular--the sort of pass a caravan master would not attempt without being accompanied by armed guards. Traveling through the pass, I had a better feel for the difference between the flatness of the extensive plain around Mazar and points north and the significant barrier made by the wall of mountains to its south. After about 10 kms the pass opened into a 1-2 km wide valley ringed with low hills. It was heavily cultivated and the grass of the hills was just beginning to turn brown from summer heat.

We climbed through wheat fields and pasture lands; the higher we went the greener the landscape became, as if going back in time. We passed through the town of Puli-Kumrei after two hours travel and from there started to climb into the mountains, through wide, green, cultivated valleys and mud houses piled one on top of the other. Flowering tamarisk blossomed along the river, surrounded by rocky, treeless mountains. The sweep of wide, vertical "footprints" left by the cascading waters that had come down the mountains in the snow melt played out in a lighter shade of brown against the rock and were zig-zagged with sheep and goat trails. We passed nomadic koochi encampments tucked into the valley offshoots, each made up of a half dozen tents (a couple of which were inevitably stamped, "UN"), hundreds of sheep, and a few camels. Groups of nomads were on the move, the small children perched on camels, slowly, sedately taking-up their portion of the road, the trucks and buses moving around them. As we climbed a thin overcast dulled the sky. The mountains became sheer rock faces and the river divided into innumerable streams of frothy white water rushing through treeless, alpine bog dotted with spikes of yellow red-hot pokers. The air was cool and smelled of fresh of water and mint.

Before we entered the Salang tunnel, (at 3400 meters altitude and 2.6. km long) we passed through a series of roofed, partly open "half-tunnels" that protect the road from avalanche. We came out of the dark Salang tunnel to snow and bright light, speeding down the hair pin turns. Fresh spring was in full brightness on the south side of the tunnel. Poplar leaves shimmered in the sun, and a much earlier green graced the terraced hillsides on the cooler south slopes of the Hindu Kush. The Shomali plains north of Kabul were still lush, unbeaten by the heat that had swiftly turned the plains of north Afghanistan into baked fields ready for harvest.

Many farangis try to pass unobtrusively in Afghanistan. Women especially go to great lengths in dress and manner to be like Afghan women. Though it is true that with my skin and hair color I could on first glance be mistaken for an Afghan, there is something in the way I stand and walk that shouts out: "foreigner." Plus I have no desire to be treated like an Afghan woman--I can think of nothing more degrading. Instead I use and have become dependent on the courtesy extended to me by this foreignness. This stems from the responsibility Afghans automatically assume for the protection of the guest in their midst. For the conductor and even for the ticket seller, who would not give me two window seats, my being a guest was never questioned. I was never asked to show a ticket, but the conductor knew where my seat wase--he had been warned about the two farangi women traveling on the morning bus. He kept track of us, showing us the toilet facilities when we stopped for a tea break. He remembered which side of the bus my luggage had been placed and retrieved it as soon as we arrived in Kabul.

31 May 2009

Full summer in Mazar

Life starts very early in my neighborhood. The day's light is saved, not to be savored in the late evening, but for use when it arrives as naturally ordained in what I would normally call the middle of the night. The chawkidars, the guards of the IAM (International Assistance Mission) guesthouse where I live, are up at 03:30 opening and closing metal doors, washing cars, revving motors; Zambol, the furry crop-eared dog has a few thoughts he is not shy to voice; the birds have started chirping their morning accountability; and the muezzins, their watches asynchronized, call in succession from the three surrounding mosques. At that time the light is just barely strong enough to outline the mountains to the south. A slightly cool breeze filters through my open window and by half 04:00 I am usually awake.

The temperature during the day is now well over 100° F. under an intense sun and a pall of dust. In any other country, people would be wearing light-weight clothing that allowed the air to circulate. Men working on the street wear an undershirt, a buttoned, long-sleeved cotton or rayon long tunic over baggy pants, and a lheavy wool vest. Women are smothered in layers of long sleeves, (most often of unbreathable synthetic fabrics) sweaters and dark coats, or burkas and always the scarf wrapped protectively around the neck. The smell of dirty human bodies and accumulated sweat permeates through the layers of the hospital's already noxious smells.

In response to the heat juice sellers have cropped up along the sidewalks. Mounds of sour cherries piled on blocks of ice offer the most mouth-watering refreshment, mangos from Pakistan, the same. But I only look. A recent revolt of the intestines has forced me to boxed juices--cherry and pomegranate are my immediate favorites. The further I retreat from the reality of the cramps and dizziness, the more enticing the iced fresh juices look.

Fresh ice cream is made in front of small shop fronts in 3 gallon deep, metal tubs embedded in troughs of shaved ice. The ice cream maker physically swirls and twirls the tubs back and forth within the packed ice, occasionally scrapping down the sides. No dashers, no motors, only the soft grating of the metal against ice and a spurt of human labor. This ice cream is soft and sweet. Light tan in color, but of no recognizable flavor, it remains the sensual combination of sweet-soft-cold. I asked Rahimullah if the flavor had a name. He shrugged, "Just Afghan ice-cream."

The guesthouse garden reflects the increasing high temperatures. The roses have not been dead-headed; their dusty spent blossoms make the garden look derelict. They remind me of Afghan women, desiccated before their time, ill handled. The lettuces have gone to seed, the leaves thick to the tooth, bitter. Zinnias are now beginning to take over. The gardeners are transforming the garden into its summer form. A few days ago a cat's cradle of purple plastic strings was suspended from an upright rectangular metal frame to encourage some nearby nasturtiums in their ascent to the roof. Every day a new pole or string is added to manage the easy growth of the hyacinth bean runners.

A lone holly hock has grown an additional 6 feet since my arrival; its lower pink blossoms have already become seed buttons. The figs are plumping, the sunflower leaves have been badly decimated by hungry insects, the datura's white trumpets flower and fade with regularity, and the ovaries of the pomegranate flowers are swelling into miniature fruits, the stamens and petals dried reminders of their waxy blossoms. Is it any wonder they are a Persian symbol of fertility? Seedling weeds and dust have overtaken the bed of eggplant and its solanacae siblings of pepper and tomato. The gardeners do not weeks. Their true vocation seems to be the daily resetting of the garden, revamping it into some inner idea of paradise.

When I go to the garden at 06:00 the language classes in the downstairs class rooms have already been in session for an hour. I walk outside to a sea of shoes scattered on the linoleum of the porch. The women's shoes are usually black high heels, often studded with rhinestones and bows, tartish and uncomfortable to my thinking, the sort of shoe I cannot imagine ever wearing. Yet in Afghanistan, this is the norm to be worn daily through the mud and the dust of the unpaved streets to school. The men come in sandals or the very pointed-toe shoes that are the de rigueur fashion statement for the Afghan peacock.

At the hospital I have come across the Afghan cane--a long, straight hardwood stick with a sharp metal point grasped with both hands of the lame person and used as if poling a boat. Semi effective in dirt, which is most of Afghanistan, the pointed metal end slips on the sidewalk or the cement floor. This is the exact same assistive device one sees in religious pictures of the halt and crippled coming to Jesus for help. It looks so clumsy and doesn't unweight the hip or any part of the lower extremity. My substitution of 2 elbow or axillary crutches is looked on with suspicion and I see the patients discard them, returning with their old Biblical sticks.

28 May 2009

An Afghan Picnic

I went with Dr. Rahimullah and his family to the shrine at the town of Sari-Pul (Pul is the Dari word for bridge) early Friday morning. We had spent Thursday in Shebergan, about 130 kms. west of Mazar-i-Sharif doing two SIGN nail cases with the local orthopaedic surgeon. Sari-Pul is green with abundant trees and gardens, watered by the river. The shrine, commemorating a 9th c. CE martyred saint is uncommonly ugly--an example of the present state of religious architecture in the country--shoddy materials, shoddy workmanship, a careless assemblage thrown together without pride.

Shrines, it seems, are not always for worship and most people seem not particularly disturbed by the unprepossessing architecture and decoration. Shrines are simply an excuse; an excuse for a picnic. Picnic is the generic word for any Afghan outing. And all outings are picnics, since you would never leave home without food and a large thermos of tea. For the women who don't often leave home, a visit to a shrine is the best excuse to go out for the day. Already at 08:00 blankets lay on the open hillside between clumps of thorns and brilliant black-throated red poppies, the tea thermos propped against a stubby bush, and piles of naan bread distributed as trenchers.

Dr. Rahimullah's family had not come for a picnic. His wife wanted to sacrifice a chicken at the shrine. I never found out the exact reason for this sacrifice, whether it was in thanks, or contrition, or a request. Rahimullah was also in the dark on this, but being a dutiful husband, he bought a chicken, had it blessed by the mullah (who will resell it later in the day), and reestablished marital accord. He figured the bird had already been sold over a hundred times, so there was no sacrifice, only giving money to some vendor of birds who is in cahoots with the mullahs.

I, however, came in the spirit of an Afghan picnic--the excuse to be out, so see something different. We drove south from Shebergan along a plain that narrowed into a wide flat valley between hills, deepening and narrowing as we approached Sari-Pul. The day was full of brilliant sunshine and we left early enough to enjoy the coolness and the special rosy light of morning. Kingfishers and bee-eaters sparkled in the sunlight and the wheat looked particularly healthy and full with the abundant feel of a fat harvest.


In Shebergan over night I stayed at the local surgeon's home. He had asked what I liked to eat so his wife could make this for me. One cannot escape saddling a wife with such a task, there is no pizza carry-out, and the idea of not going to trouble for the guest seems un-Afghan. The women always act happy that they have just spent 4 hours hand making platters and platters of food that will be decimated in a mere 10 minutes of purposeful eating. To act otherwise would bring shame to the house and family. I always wonder what resentments lurk underneath the smiles. I would not be happy to be told with little notice to prepare a feast for some foreigner I did not know, just to please my husband. A pizza would certainly suit. Obviously my manners would not pass muster in Afghanistan.

I was welcomed to the courtyard of the surgeon's compound by three women squatting around an oilcloth on the ground making aushak. These vegetable filled tortellini were my response to the question what I wanted for dinner. I choose it because it is one of the few names I know and it is vegetable--not so heavy on the stomach. This was the first time I had ever seen aushak made. Though I was ushered into a long cool room away from everyone, I made my way back to the courtyard to sit around the floured oilcloth with the women. Naomi Duguid (a writer of glorious food and travel books) would have felt blessed to be in such company. They worked with the sort of speed and casual gestures one sees in people who long ago mastered the technique and so proceed seemingly to pay little attention. They continued working, chatting away, thinking it humorous that I was interested in their work.

What particularly intrigued me was the way they rolled out the dough. It was like a noodle or pasta dough--firm, but pliable. One of the women started with a dough ball the size one would use for a 9" crust, rolled it with a 3" fat, solid rolling pin, turning the flattened ball in quarter turns every few strokes and sprinkling the surface with flour. When it reached about 10" diameter, the woman changed to a 3' long 1½" diameter pin and began a vigorous rolling, but with the floured dough rolled up on the pin, not flat. I have never seen dough rolled this way and do not know the advantage, though assume that because one is rolling two or three layers of dough it all gets thinned faster. She worked for about five minutes until she had soft sheets of dough about 1-2 mm. thick. I can't wait to try this technique.